|
|
Edith Wharton Review
Index to previous issues (1984-present)
Current issue
1999-present Tables of Contents
Spring 2004
Special Issue Dedicated to the Memory of Scott Marshall, with guest
editors Kathy Fedorko and Irene Goldman-Price
Costanzo Cahir, Linda. "A Tribute to Scott Marshall." Edith
Wharton Review 20.1 (Spring 2004):4-6.
de Marneffe, Barbara. "In Memory: Eulogy for Scott Marshall."Edith
Wharton Review 20.1 (Spring 2004): 4.
Marshall, Scott. "'More and More Never Apart': Edith Wharton
and Henry James at the Mount." [A reading for two actors compiled
and arranged by Scott Marshall.] Edith Wharton Review 20.1 (Spring
2004): 25-27.
Olin-Ammentorp, Julie. "Remembering Scott Marshall." Edith
Wharton Review 20.1 (Spring 2004):6.
Olin-Ammentorp, Julie. "Edith Wharton's War Elegies."Edith
Wharton Review 20.1 (Spring 2004): 6-12.
Rohrbach, Augusta. "Sexing the Lily: Shadows and Darkness in
Terence Davies' House of Mirth." Edith Wharton Review 20.1
(Spring 2004): 19-25.
Weckerle, Lisa. Taming the Transgressive: A Feminist Analysis of
the Film Adaptation of 'The Old Maid.'" Edith Wharton Review 20.1
(Spring 2004):12-19.
Zilversmit, Annette. "I Met Him through a Personal Ad: Or, How
It All Began." Edith Wharton Review 20.1 (Spring 2004):
2-4.
Fall 2003
Blackall, Jean Frantz. Review of Constance Fenimore Woolson and Edith
Wharton: Perspectives on Landscape and Art by Sharon Dean. Edith
Wharton Review 19.2 (Fall 2003): 3, 23.
Campbell, Donna. Review of "Truth Stranger than Fiction": Race,
Realism, and the U. S. Literary Marketplace by Augusta Rohrbach. Edith
Wharton Review 19.2 (Fall 2003): 4, 21.
Fields, Anne M. "'Years Hence of These Scenes': Wharton's The Spark and
World War I." Edith Wharton Review 19.2 (Fall 2003): 1, 5-10.
Nettels, Elsa. Review of Influencing America's Tastes: Realism in the Works
of Wharton, Cather, and Hurst by Stephanie Lewis Thompson. Edith Wharton
Review 19.2 (Fall 2003): 2, 23.
Nowlin, Michael. "'Before the Country's Awakening': Aesthetic Misjudgment
and National Growth in The Spark. Edith Wharton Review 19.2 (Fall
2003): 10-15.
Saltz, Laura. "From Image to Text: Modernist Transformations in Edith
Wharton's 'The Muse's Tragedy.'" Edith Wharton Review 19.2
(Fall 2003): 15-21.
Spring 2003
Costanzo Cahir, Linda. "Edith Wharton's Ethan Frome and
Joseph Conrad's Heart of Darkness." Edith Wharton Review 19.1
(Spring 2003): 20-23.
Emsley, Sarah. "A 'Better English': Edith Wharton on Language in Fiction." Edith
Wharton Review 19.1 (Spring 2003): 23-27.
Fedorko, Kathy. Review of Edith Wharton the Ghost-Feeler: Stories of Terror
and the Supernatural, Selected and Introduced by Peter Haining. Edith
Wharton Review 19.1 (Spring 2003): 3.
Moore, Kathleen. "Edith Wharton's Lily Bart and the Subject of Agency." Edith
Wharton Review 19.1 (Spring 2003): 8-15.
Saunders, Judith P. "Wharton's Borrowing from Crane's Maggie in The
Age of Innocence." Edith Wharton Review 19.1 (Spring 2003):
1, 4-8.
Thompson, Terry. W. "'All Souls' Edith Wharton's Homage to 'The Jolly
Corner.'" Edith Wharton Review 19.1 (Spring 2003): 15-20.
Thornton, Edie. Review of The Critical Reception of Edith Wharton by
Helen Killoran. Edith Wharton Review 19.1 (Spring 2003): 3, 27.
Fall 2002
Kinman, Alice Herritage. "Edith Wharton and the Future of Fiction." Edith
Wharton Review 18.2 (Fall 2002): 3-12.
Klimasmith, Betsy. "The 'Hotel Spirit': Modernity and the Urban Home in
Edith Wharton's The Custom of the Country and Charlotte Perkins Gilman's
Short Fiction." Edith Wharton Review 18.2 (Fall 2002): 25-25.
Nettels, Elsa. Review of Not in Sisterhood: Edith Wharton, Willa Cather,
Zona Gale, and the Politics of Female Authorship by Deborah Lindsay Williams. Edith
Wharton Review 18.2 (Fall 2002): 2, 35.
Rohrbach, Augusta. Introduction to the Current Issue. Edith Wharton Review 18.2
(Fall 2002): 1, 3.
Stark, Jared. "Wharton's Suicides." Edith Wharton Review 18.2
(Fall 2002): 12-25.
Spring 2002
Campbell, Donna. Review of Edith Wharton's Dialogue with Realism
and Sentimental Fiction by Hildegard Hoeller. Edith Wharton
Review 18.1 (Spring 2002): 2, 24.
Maine, Barry. "Reading 'The Portrait': Edith Wharton and John Singer Sargent." Edith
Wharton Review 18.1 (Spring 2002): 7-14.
Mindrup, Emilie F. "The Mnemonic Impulse: Reading Edith Wharton's Summer as
Propaganda." Edith Wharton Review 18.1 (Spring 2002): 14-22.
Werlock, Abby. "The Custom of the Country: George Sand's Indiana and
Edith Wharton's Indiana/Undine." Edith Wharton Review 18.1 (Spring 2002):
1, 3-7.
Fall 2001
Blackall, Jean Frantz. Review of Mysteries of Paris: The Quest for Morton
Fullerton by Marion Mainwaring. Edith Wharton Review 17.2 (Fall 2001):
2, 31.
Dupree, Ellen. "'Usually the Reward of Tosh': Edith Wharton's Business Education." Edith
Wharton Review 17.2 (Fall 2001): 1, 3-13.
Gill, Joanna. "'The absorbed observation of her own symptoms': Ethan Frome and
Anne Sexton's 'The Break.'" Edith Wharton Review 17.2 (Fall 2001): 14-22.
Segalla, Spencer D. "Re-Inventing Colonialism: Race and Gender in Edith Wharton's In
Morocco." Edith Wharton Review 17.2 (Fall 2001): 22-30.
Spring 2001
Comins, Barbara. "'Outrageous Trap': Envy and Jealousy in Wharton's 'Roman
Fever' and Fitzgerald's 'Bernice Bobs Her Hair.'" Edith Wharton Review 17.1
(Spring 2001): 9-12.
Olin-Ammentorp, Julie, and Ann Ryan. "Undine Spragg and the Transcendental
I." Edith Wharton Review 17.1 (Spring 2001): 1, 3-9.
Shaffer-Koros, Carole. "Edgar Allan Poe and Edith Wharton: The Case of Mrs.
Mowatt." Edith Wharton Review 17.1 (Spring 2001): 12-16.
Werlock, Abby. Rev. of The Fruit of the Tree, Introduction by Donna
Campbell. Edith Wharton Review 17.1 (Spring 2001): 2.
Fall 2000
Arthos, John. "The Court of the Tuileries: Reflections on Archer's Retreat
in The Age of Innocence." Edith Wharton Review 16.2 (Fall 2000):
8-12.
Balestra, Gianfranca. "Edith Wharton in Translation: The Italian 'Boom.'" Edith
Wharton Review 16.2 (Fall 2000): 1, 3-8.
Costanzo Cahir, Linda. Film Review: "The House of Mirth and the Lower
Depths of Tragedy." Edith Wharton Review 16.2 (Fall 2000): 2-3.
17-19.
Porter, David H. "O all you beauties I shall never see': An Unpublished Edith
Wharton Letter." Edith Wharton Review 16.2 (Fall 2000): 13-17
Spring 2000
Gold, Harriet. "Marriage in The Glimpses of the Moon." Edith
Wharton Review 16.1 (Spring 2000): 13-17.
Goldman-Price, Irene. "The Perfect Jew and The House of Mirth: A Study
in Point of View." Edith Wharton Review 16.1 (Spring 2000): 1, 3-9.
Gschwend, Kate. "The Significance of the Sawmill: Technological Determinism
in Ethan Frome." Edith Wharton Review 16.1 (Spring 2000): 9-13.
Nettels, Elsa. Rev. of Edith Wharton in Context: Essays on Intertextuality by
Adeline Tintner. Edith Wharton Review 16.1 (Spring 2000): 2.
Fall 1999 issue
Casale, Dean. Rev. of Edith Wharton A to Z: The Essential Guide to
the Life and Work by Sarah Bird Wright. Edith Wharton Review 15.2
(1999): 2.
Funston, Judith E. "An Early Backward Glance: Edith Wharton's Revision of 'A
Tuscan Shrine.'" Edith Wharton Review 15.2 (1999): 1-7.
Rich, Charlotte. "Edith Wharton and the Politics of Colonialism: The Good Public
Relations of In Morocco." Edith Wharton Review 15.2 (1999): 8-13.
Macnaughton, William. "Edith Wharton's 'The Blond Beast' and Friedrich Nietzsche.'"Edith
Wharton Review 15.2 (1999): 13-19.
Shaffer-Koros, Carole. Review. "Paulus Opera Based on Summer Performed
at Pittsfield." Edith Wharton Review 15.2 (1999): 20.
Spring 1999
Hoeller, Hildegard. "Tourism and War: Edith Wharton's Explication of French
Ways and Their Meaning" Edith Wharton Review 15.1 (1999):
1-6.
Dodson, Samuel Fisher. "Frozen Hell: Edith Wharton's Tragic Offering." Edith
Wharton Review 15.1 (1999): 10-15.
Murray, Margaret P. Rev. of Solitude and Society in the Works of Herman
Melville and Edith Wharton. Edith Wharton Review 15.1 (1999): 2.
Herman, David. "Economies of Essence in The House of Mirth." Edith
Wharton Review 15.1 (1999): 6-10.
Edith Wharton
Review
Index 1984-2000 (click below)
.
Please send comments and suggestions to D.
Campbell.
|