The Edith Wharton Society site has moved to http://www.edithwhartonsociety.org/index.html. This page will redirect you to the new site in 5 seconds. If it does not, please click on the link above to go to the new site.

Call for Papers Archive

  • Current Calls for Papers at the EWS site
  • Call for Papers Archive at the EWS site
  • Conference News page at the EWS site
  • Conference News Archive at the EWS site
  • Calls for Papers archive (CFP-L) page at the University of Pennsylvania
  • Papers Invited archive and list
  • Call for Papers: Wharton Sessions at MLA 2005

    Wharton, Science, and Technology . Papers on Wharton's interest in science or technology (astronomy, physics, airplanes, electricity, etc.) and/or its role in her work. 1-2 page abstracts by March 15; Laura Saltz ( lsaltz@colby.edu ).

    Edith Wharton and France. Papers on Wharton and France, including Wharton's works set in France, World War I, translations, and French influences and relationships. 1-2 page abstracts by March 15; Donna Campbell (campbelld@wsu.edu).

    Call for Papers

    Edith Wharton Sessions at ALA 2005

    The Edith Wharton will sponsor two sessions at the American Literature Association Conference in Boston, May 26-29, 2005.

    1. Seeking proposals or papers analyzing the critical writings of Edith Wharton and her contemporaries.  Papers may focus on any aspect of Wharton as critic or Wharton as subject of criticism by her fellow writers.  Papers may consider informal criticism found in Wharton correspondence as well as published articles and reviews. New deadline date: 20 January 2005.

    Please submit email proposals of 500 words or complete papers  by
    20 January 2005 to

    Carol Sapora
    Professor of Language and Literature
    Villa Julie College
    1525 Greenspring Valley Road
    Stevenson, MD 21153
    f-sapora@mail.vjc.edu

    2. Edith Wharton and Money
    Papers addressing all aspects of that topic welcome.

    Deadline : January 1, 2005
    send proposals to Hildegard Hoeller at hilhllr@aol.com or at 29 Gail Court, Staten Island NY 10306.

    1000-word Essays on Wharton Novels
    and Other American Novels,Classic and Contemporary

    I am preparing a 2-volume Companion to the American Novel for Facts on File, sequel to The Facts on File Companion to the American Short Story, and still have openings for essays on specific Wharton titles, along with other American fiction titles.

    Essays written in a lively, jargonfree style, should be approximately 1000 words exclusive of bibliography, and authors are encouraged to include original and intriguing interpretations of the novels.

    The deadline is 15 June 2004.

    For further information and a list of available titles please contact me via any of the methods listed below.

    Abby H. P. Werlock
    Associate Professor of American Literature Emerita, St Olaf College
    Fox Run
    154 Fox Run Road
    Mainesburg PA 16932
    T: 570-549-2104
    F: 570-549-2604
    werlock@chilitech.net or werlock@stolaf.edu

    Call for Papers

    Edith Wharton Sessions at MLA 2004

    The Edith Wharton Society will sponsor two sessions at the December 27-30, 2004, MLA in Philadelphia.

    1. Edith Wharton and Secrets

    Motifs of concealment and covertness in Wharton's writing; ethical, social, discursive, marital, and/or gender-oriented implications of the clandestine or the withheld; the phenomenon of secrecy in relation to matters of form or technique.

    Please send abstracts and brief vitae by 15 March to:
    Frederick Wegener
    Department of English
    California State University, Long Beach
    1250 Bellflower Blvd.
    Long Beach, CA 90840-2403
    (fwegener@csulb.edu)

    2. Edith Wharton and the Arts.

    Fine arts and performing arts (such as opera and theater) in Wharton's life and work; theater and opera adaptations of Wharton's works. Proposals (approx. 250 words) to Julie Olin-Ammentorp (olinamme@lemoyne.edu) by March 10, 2004.

    American Literature Association Conference

    Deadline for Proposals: January 5, 2004

    The Edith Wharton Society will sponsor two sessions at the American Literature Society Conference in San Francisco, May 27-30, 2004.

    1. Wharton in Context: The 20s

    Papers examining Wharton's fiction 1920-1930 in relationship to short
    stories, novellas, novels published by other American writers in that
    same decade (e.g., comparisons/contrasts treating specific writers and
    works: Hemingway, Fitzgerald, Anderson, Cather, and others). 250-word
    proposals to Judith Saunders by Jan. 5, 2004: Marist College, North Rd.,
    Poughkeepsie, NY 12601 or judith.saunders@marist.edu

    2. Edith Wharton's Short Fiction

    Papers on any aspect of Wharton's short stories or novellas:

  • linked short fiction (e.g., Old New York);
  • connections with longer works;
  • issues of writing and publishing, such as Wharton and the market for magazine fiction;
  • Wharton and theories of the short story;
  • Wharton and genre fiction, war stories, or ghost stories;
  • stories from a particular period, such as the 1930s; or other topics. Please send 8-10 page papers or 350-word proposals by January 5, 2004 to campbedm@gmail.com (no attachments, please) or to Donna Campbell, Department of English, Box AD 31, Gonzaga University, 502 E. Boone Avenue
    Spokane, WA 99258

    Call for Papers

    Deadline November 1, 2003

    Edith Wharton Review


    The Spring 2004 issue of the Edith Wharton Review will be dedicated to the memory of Daniel Scott Marshall, who died on October 14, 2002.

    Scott's association with both the Edith Wharton Society and Edith Wharton Restoration at The Mount, in Lenox, Massachusetts, began in 1983. Scott served as the Restoration’s first intern in 1985, and, after receiving an M.S. in historic preservation from the Graduate School of Architecture, Planning, and Preservation at Columbia University in 1986, he went on to become Archivist, Historian, Assistant Director, Deputy Director, and Senior Vice President at The Mount. Anyone lucky enough to participate in one of Scott’s walking tours, “Edith Wharton’s Old New York,” remembers the animation and joy Scott brought to his scholarship about Wharton and the New York City she lived in. He brought that same energetic joy to his restoration work at The Mount . One of his many accomplishments while there was to research and write the historical section of The Mount’s Historic Structure Report, the document upon which all restoration and interpretation of the house rests. The Report was published in 1997 as The Mount: Home of Edith Wharton, now in its third printing.

    Scott’s scholarship also included work on Edith Wharton and film, about which he organized sessions for the Wharton conference in Paris in 1991 and the conference at Yale in 1995, both sponsored by The Edith Wharton Society. His article “Edith Wharton and Kate Spencer” appears in the Norton Critical Edition of Ethan Frome, and his essay “A History of Edith Wharton on Film” was published in Japan in Edith Wharton’s Two Worlds: America and Europe. Scott also published several articles in the Edith Wharton Review and was working on an edition of Wharton's poetry when he died.

    Submissions for the Scott Marshall commemorative issue of EWR may address any of the subjects dear to Scott: Wharton and film, The Mount, Wharton and New York City, Wharton and Lenox, Wharton's poetry, Wharton and architecture/decoration.

    We are also seeking short (250-300 words) anecdotes about Scott's interaction with members of the Wharton Society. Submissions, due November 1, 2003, should be 15-20 pages and should use MLA 5th edition style with endnotes as needed.

    To publish in the Review one must be a member of the Wharton Society; we will gladly provide membership information. Please send copies to both Kathy Fedorko and Irene Goldman-Price:

    Kathy Fedorko
    117 W. Prospect St.
    Hopewell, NJ 08525
    k.fedorko@verizon.net

    Irene Goldman-Price
    8 Sidehill Trail
    Sugarloaf, PA 18249
    icgp@epix.net

    Call for Papers
    Wharton's The Fruit of the Tree


    We are preparing a contextual companion volume to Edith Wharton's 1907 industrial novel, The Fruit of the Tree. Papers, particularly interdisciplinary studies, addressing the following topics will be especially welcome:

    • The rise of the professional engineer and scientific manager
    • The emergence of nursing as a career for women and the treatment of nursing in literature
    • The labor and industrial reform movements that shaped the Progressive Era
    • The relationship between The Fruit of the Tree and other "industrial novels"
    • The issue of drug addiction among physicians and the professional and ethical response during the era
    • The nature of industrial accidents and the impact they had on workers' lives and families
    • The issue of divorce particularly as it relates to social class and leisure
    • How The Fruit of the Tree fits in with Wharton's other work.

    Please query one of the editors before submitting a paper:

    Donna Campbell
    Department of English, Box AD 31
    Gonzaga University
    Spokane, WA 99258
    campbedm@gmail.com


    Irene Goldman-Price
    8 Sidehill Trail
    Sugarloaf, PA 18249
    iicgp@epix.net
    Melissa Pennell
    Department of English
    UMass Lowell
    61 Wilder Street
    Lowell, MA 01854
    Melissa_Pennell@uml.edu

    Call for Papers

    The Edith Wharton Review invites scholars to submit essays for a special issue, Edith Wharton and the Provocations of Philosophy. Essays should focus on considerations of Wharton’s extensive engagement with Western philosophy and with various forms of philosophical writing; on treatments of her writing in relation to the work of classical, French, or German philosophers known to have been of interest to her; on her work’s relationship to pragmatism; on Wharton and the question of women and/in philosophy; or on similar issues. A fuller acknowledgment or presentation of Wharton as an intellectually and speculatively animated novelist will be one of the chief objectives of this special issue.

    Please send essays by 15 October 2003 (New Deadline) to

    Frederick Wegener, Department of English, California State University, Long Beach, 1250 Bellflower Blvd., Long Beach, CA 90840-2403, or via email attachment to fwegener@csulb.edu; submissions should be up to approximately twenty double-spaced pages in length and follow MLA style.

    Call for Papers: MLA 2003

    The Edith Wharton Society will sponsor two sessions at MLA 2003 in San Diego.

    1. Title: Edith Wharton, the Novel, and History

    Examinations of Wharton's historical novels, of her use or depiction of history in novels; alternately, analyses of her understanding of the history of the novel and/or her influence on the novel's development.

    Please send 100-200 word abstracts by March 10, 2003 to
    Julie Olin-Ammentorp
    English Dept., Le Moyne College
    1419 Salt Springs Rd.
    Syracuse, NY 13214-1399
    inquiries: olinamme@lemoyne.edu

    2. "The Business of Being Edith Wharton/The Edith Wharton Business"
    Papers on Edith Wharton's business ventures--from authorship to real
    estate and investment; work on marketing Edith Wharton --from dust
    jackets to films; as a marketing lure to sell fabrics, interior
    design. plants, etc.
    Email 1-2 pg abstracts by 10 March to rohrbach@fas.harvard.edu.

    Call for Papers for ALA 2003

    Edith Wharton Sessions at the American Literature Association Conference

    Cambridge, Massachusetts

    May 22-25, 2003

    The Edith Wharton Society will sponsor two sessions at ALA 2003.

    1. Edith Wharton and Film

    Seeking proposals on any aspect of Edith Wharton's engagement with film for a panel sponsored by the Edith Wharton Society. Papers might consider film adaptation of her works from any perspective, evolution of Wharton films over time, the use of visual tropes in the texts/film, cultural pressures at work on her adaptations in their specific historical context, relationship of film adaptations to other visual representations of her work (theater, illustration, etc), reception, Wharton as a filmic commodity, the relationship of changing technologies to the film adaptations, etc.

    Send or email proposals of approximately 500 words plus a 1-2 page cv to Edie Thornton by December 31, 2002, at ediepage@charter.net or 2325 Oakridge Avenue, Madison, WI 53704.

    Edie Thornton

    Assistant Professor of English

    University of Wisconsin-Whitewater

    800 West Main Street

    Whitewater, WI 53190-1790

    phone: 608-242-0167; fax: 262-472-1037 2.

    2. Edith Wharton and Work

    Proposals or papers requested on any aspect of Edith Wharton and work: possibilities might include the following:

  • representations of work in Wharton's fiction;
  • biographical and autobiographical representations of Wharton as a worker;
  • professions and professionalism;
  • writing or art as work and writers or artists as workers;
  • intersections of work and class; working-class lives;
  • science and industrialism;
  • work and modernity;
  • work and leisure;
  • leisure as work or the cultural work of leisure.
  • Please send proposals of 500 words or completed papers by January 5, 2003 to the program chair:

    Donna Campbell, Associate Professor of English

    Box AD 31, Gonzaga University

    502 E. Boone Avenue

    Spokane, WA 99258

    campbedm@gmail.com

    Fax: 509.323.5718 E-mail proposals are welcome, but please do not send your proposal as an attachment.

    Call for Submissions

    Edith Wharton and Material Culture.
    Submissions are invited for a collection of essays exploring the significance of material culture in all aspects of Wharton's life and work.  Contributors may also consider the question of what we gain and/or lose in Wharton criticism by emphasizing material culture. 

    Note new deadline: Send completed essays (20-25 pages in length) by 6 June 2002 to 

    Gary Totten
    Department of English
    Concordia College
    901 8th St. S.
    Moorhead, MN 56562. 
    E-mail queries and questions are welcome:
    totten@cord.edu.
      Call for Papers CNYPLL 2002
    CALL FOR PAPERS

    12TH ANNUAL CENTRAL NEW YORK CONFERENCE ON LANGUAGE AND LITERATURE
    CORTLAND COLLEGE OF THE STATE UNIVERSITY OF NEW YORK

    27-29 OCTOBER 2002
    Deadline:  July 15, 2002

    EDITH WHARTON:  Adaptations of Wharton's Works.  Analyses of any of the
    adaptations of her works for film, plays, opera, and other media.
    Chair:  Julie Olin-Ammentorp
    4491 Swissvale Drive
    Manlius, NY   13104-9561
    email:  Olinamme@lemoyne.edu

    MLA 2002: Deadline 22 March 2002

    1. Edith Wharton and the Provocations of Philosophy
    Considerations of Wharton's extensive interest in Western philosophy; treatments of her writing in relation to the work of classical, French, or German philosophers; to pragmatism; or to the question of women and/in philosophy. 

    Please send 1-2 page abstracts by March 22 to 
    Frederick Wegener
    Department of English
    California State University, Long Beach, 
    1250 Bellflower Blvd.,
    Long Beach, CA 90840-2403
    or to fwegener@csulb.edu (fax 562-985-2369).

    2. Ambivalence of Place: The New Yorks of Edith Wharton. 
    New York City as idea as well as site.  1-2 page proposals by March 22 to 

    Annette Zilversmit
    140 Riverside Dr.
    Apt. 16H
    New York, NY 10024
    email: AZilver@aol.com (no attachments)
    Call for Papers 

    American Literature Association
    Long Beach, California
    May 28-June 2, 2002 

    The Edith Wharton Society will sponsor two sessions at the 2002 American Literature Association Conference. 

    1. "Edith Wharton and U.S. Literary Modernism"
    Deadline: 12-30-01 
    Please send proposals of about 500 words to Hildegard Hoeller at hilhllr@aol.com or 29 Gail Court, Staten Island, NY 10306. 

    2.   CALL FOR PAPERS 

    Seeking proposals on any aspect of Edith Wharton's engagement with visual
    culture for a panel sponsored by the Edith Wharton Society at the ALA in
    Long Beach, CA, May 30-June 2, 2002.  Papers might consider Wharton's use
    of visual tropes, the influence of photography or theater on her work, the
    role of celebrity/publicity in her career, the construction of
    spectatorship or voyeurism within her texts, the role of visual
    technologies in her fiction, etc. 

    Send or email proposals of approximately 500 words plus a 1-page cv to
    Laura Saltz by Dec. 31 at: lsaltz@colby.edu or 1264 Cambridge Street #2,
    Cambridge, MA, 02139. 

    *******************
    CNYPLL
    CALL FOR PAPERS Deadline:  7/15/01
     

    11TH ANNUAL CENTRAL NEW YORK CONFERENCE ON LANGUAGE AND LITERATURE
    CORTLAND COLLEGE OF THE STATE UNIVERSITY OF NEW YORK
                                26-29 OCTOBER 2001

    MAJOR AMERICAN AUTHORS:  EDITH WHARTON
    Edith Wharton: Comparative Readings of New York Satire (e.g., Wharton and W. D. Howells, Dawn Powell, etc.)
    Chair: Margaret Murray
    Western Connecticut State University
    139 Village Pond Road, Guilford, CT   06437
    email:  murraymp@wcsu.ctstateu.edu or GFRANCIS@GATEWAY.NET

    *************** 

    Edith Wharton at MLA 2001 

    1. Edith Wharton Goes Goth!"...being Goth is seeing beauty, and its coming destruction, at the same time." --Beatgrrl.   Abstracts that consider Wharton's work as it relates to this somewhat idiosyncratic definition or more traditional notions of the gothic by March 13

    Augusta Rohrbach 
    President, Edith Wharton Society 
    c/o Bunting Fellowship Program 
    34 Concord Avenue
    Cambridge MA 021138 
    rohrbach@radcliffe.edu

    2.  War Writing by Wharton and Other War Writers.  Comparison of Wharton's war writing with other writers', especially to men's writing, e.g., Hemingway. 1-2 page proposals by 1 March to Harriet Gold,hgold@total.net

    ***************** 

    PARIS IN JULY 2001 

    European Studies Research Institute, University of Salford
    Department of English, Manchester Metropolitan University
    The Mona Bismarck Foundation, Paris

    CALL FOR PAPERS 

    INTERNATIONAL CONFERENCE
    THE MONA BISMARCK FOUNDATION, 
    AVENUE DE NEW YORK, PARIS 23rd-25th JULY 2001

    AMERICANS IN PARIS:
    PARIS IN AMERICANS

    This conference aims to explore interchanges between French and American culture, especially the transatlantic dialogue which took place between writers, thinkers and artists from both nations during the nineteenth and twentieth centuries.  ‘Americans in Paris: Paris in Americans’ will provide an opportunity to consider Paris as a place which has proved hospitable to numerous ex-patriate artists but also as a city which can be characterised as possessing particular aesthetic or social values which have influenced the development of art and culture in the United States.  The conference will be directed mainly at literary and cultural studies scholars and we welcome papers on music, dance, film and visual art as well as on written texts.  We shall also be pleased to received proposals for panels. 

    Abstracts of up to 300 words should be sent by 16th February 2001 to:
    Louise Graham, ESRI Conference Administrator,
    European Studies Research Institute, 
    University of Salford, Salford M5 4WT, Greater Manchester, England. 

    Telephone: +44 (0) 161 295 5614                         E-mail:l.j.graham@salford.ac.uk

    Printable version in Rich Text format
    ********************* 

    EDITH WHARTON AT ALA
    American Literature Association Convention
    May 24-27, 2001
    The Edith Wharton Society will host two panels at the upcoming American Literature Association Convention (Cambridge, MA, May  24-27, 2001). 

    1. EDITH WHARTON IN CONTEXT. We are looking for papers that position Edith Wharton within the larger context of American Literature.  Papers that examine her place within the pantheon of American writers; papers that historicize her contribution to significant genres such as regionalism, realism, modernism; papers that consider her in dialogue (or argument) with other figures in American letters. 

    Please send 1-2 page proposals  by January 5th, 2001 to: 

    Augusta Rohrbach
    Vice President
    Edith Wharton Society
     c/o The Bunting Fellowship Program
    34 Concord Avenue
    Cambridge, MA 02138 

    Or email proposals to:
    rohrbach@radcliffe.edu

    2. MARKETS, NATIONS, AND RACES IN EDITH WHARTON'S WORK. 

    Please send 1-2 page proposals by December 30, 2000 to: 

    Hildegard Hoeller
    Arts and Humanities
    Babson College
    Babson Park, MA 02457 

    hoeller@babson.edu 
    Issue of Q/W/E/R/T/Y (Journal; Deadline 9/1/00)
    Society for the Study of American Women Authors (SSAWW) (San Antonio; Deadline 8/15/00; 2/15/01)

    *****************
    Society for the Study of American Women Writers
    First International Conference
    Dates:  February 14-18, 2001
    Location:  St. Anthony Hotel,  San Antonio, Texas
    Conference Director:  Susan Belasco, University of Nebraska
    Deadline for Proposals:  August 15, 2000

    The program committee welcomes submissions of panels organized by individuals and sessions sponsored by author societies affiliated with the Society for the Study of American Women Writers. We are especially interested in panels and sessions that provide substantial time for discussion and exchange.  We also encourage individuals with ideas for single presentations or papers to contact the conference director. Although traditional conference papers of no more than
    fifteen minutes in length are welcome, we are especially interested in proposals adaptable to a variety of formats.  Formats may include exhibits,
    roundtables, performances, workshops, readings, group presentations, and discussion sessions of papers distributed online prior to the conference.  Topics may include (but are not limited to) examinations of the individual works of women writers; theoretical considerations of race, disability, genre studies, ethnicity,
    gender, and class; pedagogical issues and implications; lesbian studies; international dimensions of American women writers, women writers and the reconstruction of American literature, the place of feminist scholarship in contemporary society and in the academy; and women writers and the development of periodical literature in American culture.

    The SSAWW is committed to a conference program that reflects the diversity of its membership. 

    Inquiries and proposals should be sent to Susan Belasco, Conference Director, SSAWW, by e-mail to sbelasco@unl.edu

    Proposal should include the name, e-mail address, and institutional affiliation of a contact person or session chair; names, e-mail addresses, and institutional affiliations of all persons involved in the panel or session; the title or topic and a brief description of the panel or session; the proposed format; and
    equipment requests.  Program participants must be current members of the SSAWW.

    The Officers and Advisory Board of the SSAWW invite all interested persons to access the SSAWW website <http://www.unl.edu/legacy/SSAWW1.html> for membership information about the Society and the conference.  Author societies affiliated with the American Literature Association and the Modern Language Association are also encouraged to affiliate with the SSAWW and to sponsor a panel or session at the conference.
    *******************
    The next issue of Q/W/E/R/T/Y (October 2000) will devote a large section
    (at least 6 to 8 articles) to Edith Wharton's The Custom of the Country.

    Should you be willing to contribute or should you happen to know colleagues likely to contribute to this section or to one of the other sections (see below), do let me know. I will be happy to answer your questions concerning the journal. 

    Sincerely,
    Bertrand Rougé

    *********** 

    Q/W/E/R/T/Y
    (subtitled "Arts, Litteratures &mp; Civilisations des Pays Anglophones") is a French journal of English and American studies published by the University of Pau. It is indexed in the MLA Bibliography, the World Shakespeare Bibliography, the Annotated Bibliography for English Studies, American Literary Scholarship (Duke University), and several others.

    The next issue (October 2000) will include articles on: 

    - William Shakespeare.          Antony and Cleopatra (1623).
    - Henry Fielding.               Joseph Andrews (1742).
    - Edith Wharton.                The Custom of the Country (1913).
    - James Joyce.                  Dubliners (1914).
    - William Gaddis.               Carpenter's Gothic (1985).

    - Landscapes and Gardens in 18th-century Great Britain.
    - Poverty and Inequality in Great Britain, 1942-1990.

    Papers may be written in French or English. Disks (Word 5 for Macintosh or RTF) and hardcopies (MLA Style). Deadline: Sept. 1.

    Scholars interested in contributing or wishing to suggest likely contributors should get in touch with bertrand.rouge@univ-pau.fr and send a
    summary of the projected article and a resume as soon as possible. Submissions should be original and scholarly, they should aim at a genuine
    renewal of interpretations. All submissions will be reviewed by the editorial committee.

    Bertrand Rougé
    Université de Pau
    France