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Edith Wharton: Current Bibliography
INDIVIDUAL
WORKS: Bibliographies of Individual Works (compiled
from the MLA Bibliography and other sources)
CURRENT
BIBLIOGRAPHY: Current scholarship on Edith Wharton,
1999 to the present (includes dissertations, articles, and
books)
COMPREHENSIVE BIBLIOGRAPHY. This
page contains works on Edith Wharton from 1953
to the present. Warning: With 1,361 entries, it is a very
long page.
FILMOGRAPHY. Filmography
of Wharton's works made into movies
RECOMMENDED
BIBLIOGRAPHY. Bibliography of Wharton criticism,
fiction about Wharton, and bibliographies of individual novels
composed of works recommended by Wharton Society members
and WHARTON-L subscribers. If you have a work to recommend,
please contact
us.
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Newly added to bibliographies:
Added to comprehensive bibliography: Christina Zwarg
in "Womanizing Margaret Fuller: Theorizing a Lover's Discourse," Cultural
Critique 16 (Fall 1990):161-191, relates the publication of "Love-Letters
of Margaret Fuller" to Edith Wharton's story "The Touchstone." Please send comments and suggestions to D.
Campbell.
2004
Blair, Amy L. "Misreading The House of Mirth." American
Literature 76.1 (2004): 149-75.
Buckalew, Kimberly Paige. "Fictional Bridges: Modern Female
Heroines in Edith Wharton's Five Major Novels (1905-1920)." Dissertation
Abstracts International, Section A: The Humanities and Social Sciences
64.10 (2004): 3694.
Chung, Hae-Ok. "Marriage as a Business Contract: Edith Wharton's The
Custom of the Country." Nineteenth Century Literature
in English 8.1 (2004): 179-95.
Costanzo Cahir, Linda. "A Tribute to Scott Marshall." Edith
Wharton Review 20.1 (Spring 2004):4-6.
de Marneffe, Barbara. "In Memory: Eulogy for Scott Marshall."Edith
Wharton Review 20.1 (Spring 2004): 4.
Emsley, Sarah. "Sexual Purity and Relentless Indecision in Wharton's The
Reef: A Reply to Menon." New Compass: A Critical Review 3
(2004): (no. p.)
Griffith, Jean Carol. "Reading White Space: Placing Race in
the Novels of Edith Wharton, Ellen Glasgow, and Willa Cather." Dissertation
Abstracts International, Section A: The Humanities and Social Sciences
64.12 (2004): 4464.
Jones, Suzanne W. "The 'Beyondness of Things' in the Buccaneers:
Vernon Lee's Influence on Edith Wharton's Sense of Place." Symbiosis:
A Journal of Anglo-American Literary Relations 8.1 (2004): 7-30.
Kassanoff, Jennie A. Edith Wharton and the Politics of Race.
Cambridge, England : Cambridge UP, 2004.
Marshall, Scott. "'More and More Never Apart': Edith Wharton
and Henry James at the Mount." [A reading for two actors compiled
and arranged by Scott Marshall.] Edith Wharton Review 20.1 (Spring
2004): 25-27.
Nicholls, Mark. "Male Melancholia and Martin Scorsese's The
Age of Innocence." Film Quarterly 58.1 (2004): 25-35.
Nowlin, Michael. "Edith Wharton's Higher Provincialism: French Ways
for American and the Ends of The Age of Innocence." Journal
of American Studies 38 (2004): 89-108.
Ohler, Paul Joseph. "'the Poetic Value of the Evolutionary Conception':
Darwinian Allegory in the Major Novels of Edith Wharton, 1905-1920." Dissertation
Abstracts International, Section A: The Humanities and Social Sciences
64.10 (2004): 3688.
Olin-Ammentorp, Julie. "Remembering Scott Marshall." Edith
Wharton Review 20.1 (Spring 2004):6.
Olin-Ammentorp, Julie. "Edith Wharton's War Elegies."Edith
Wharton Review 20.1 (Spring 2004): 6-12.
Olin-Ammentorp, Julie. Edith Wharton's Writings from the Great
War. Gainesville, FL : UP of Florida, 2004.
Ray, Martin. "Edith Wharton and the Serialization of the Trumpet-Major." Thomas
Hardy Journal 20.2 (2004): 67-69.
Rohrbach, Augusta. "Sexing the Lily: Shadows and Darkness in
Terence Davies' House of Mirth." Edith Wharton Review 20.1
(Spring 2004): 19-25.
Rudkin, Casey J. "Wharton's New Year's Day (the 'Seventies)." Explicator
63.1 (2004): 32-34.
Skaggs, Carmen Trammell. "Looking through the Opera Glasses:
Performance and Artifice in The Age of Innocence." Mosaic:
A Journal for the Interdisciplinary Study of Literature 37.1 (2004):
49-61.
Tebbetts, Terrell. "Conformity, Desire, and the Critical Self
in Wharton's The Age of Innocence." Philological Review 30.1
(2004): 25-38.
Weckerle, Lisa. Taming the Transgressive: A Feminist Analysis of
the Film Adaptation of 'The Old Maid.'" Edith Wharton Review 20.1
(Spring 2004):12-19.
Zilversmit, Annette. "I Met Him through a Personal Ad: Or, How
It All Began." Edith Wharton Review 20.1 (Spring 2004):
2-4.
2003
Campbell, Donna M. "The 'Bitter Taste' of Naturalism: Edith
Wharton's The House of Mirth and David Graham Phillips's Susan
Lenox." In Twisted from the Ordinary: Essays on American
Literary Naturalism. Ed. Mary E. Papke. Knoxville: University of
Tennessee Press, 2003. 237-259.
Costanzo Cahir, Linda. "Edith Wharton's Ethan Frome and
Joseph Conrad's Heart of Darkness." Edith Wharton Review 19.1
(Spring 2003): 20-23.
Emsley, Sarah. "A 'Better English': Edith Wharton on Language
in Fiction." Edith Wharton Review 19.1 (Spring 2003): 23-27.
Fields, Anne M. "'Years Hence of These Scenes': Wharton's The
Spark and World War I." Edith Wharton Review 19.2
(Fall 2003): 1, 5-10.
Goodman, Susan. Civil Wars: American Novelists and Manners, 1880-1940.
Baltimore: The Johns Hopkins University Press, 2003. [Concentrating on six
writers-William Dean Howells, Henry James, Edith Wharton, Willa Cather,
Ellen Glasgow, and Jessie Fauset-Susan Goodman recovers the broader meaning
of "manners" for past generations and demonstrates that American
writers have consistently tied the subject of national identity to the
norms and behaviors of everyday life-that, in fact, the novel of manners
is a dominant form of American fiction.-- Submitted by MHK]
McManus, Caroline. "Subverting Romantic Comedy: Edith Wharton's
Reading of Shakespeare in The House of Mirth." Studies
in Philology 100.1 (2003): 87-104.
Moore, Kathleen. "Edith Wharton's Lily Bart and the Subject
of Agency." Edith Wharton Review 19.1 (Spring 2003): 8-15.
Nowlin, Michael. "'Before the Country's Awakening': Aesthetic
Misjudgment and National Growth in The Spark." Edith
Wharton Review 19.2 (Fall 2003): 10-15.
Orlando, Emily J. Body Art: Women, Art, and Representation in Edith
Wharton, University of Maryland (doctoral dissertation), 2002. [From
the author: It's a study of Wharton's engagement with the visual arts,
esp. 19th-century painting.]
Pennell, Melissa McFarland. Student Companion to Edith Wharton.
Student Companions to Classic Writers,. Westport, Conn.: Greenwood
Press, 2003.
Saltz, Laura. "From Image to Text: Modernist Transformations
in Edith Wharton's 'The Muse's Tragedy.'" Edith Wharton
Review 19.2 (Fall 2003): 15-21.
Saunders, Judith P. "Wharton's Borrowing from Crane's Maggie in The
Age of Innocence." Edith Wharton Review 19.1 (Spring
2003): 1, 4-8.
Singley, Carol J. A Historical Guide to Edith Wharton. Historical
Guides to American Authors. New York Oxford: Oxford University Press,
2003.
Singley,
Carol J. "Race, Culture, Nation: Edith Wharton and Ernest
Renan." Twentieth Century Literature 49.1 (2003): 14+. (Full
text available)
Stevenson, Pascha Antrece. "Ethan Frome and Charity Royall:
Edith Wharton's Noble Savages." Women's Studies 32.4 (2003):
411-29.
Thompson, Terry. W. "'All Souls' Edith Wharton's Homage to
'The Jolly Corner.'" Edith Wharton Review 19.1 (Spring
2003): 15-20.
Thompson, Terry W. "Wharton's 'Bewitched'." Explicator 61.3
(2003): 155-58.
Wang, Shunzhu. "The Double-Voiced Feminine Discourses: A Comparative
Study of Women Writers in Modern Chinese Literature and Modern American
Literature." Dissertation Abstracts International, Section
A: The Humanities and Social Sciences 63.1 (2002): 179.
Wegener, Frederick. "Edith Wharton and Ronald Simmons: Documenting
a Pivotal Wartime Friendship." Yale University Library Gazette 77
(2002): 51-85.
Werlock, Abby. "The Custom of the Country: George Sand's Indiana
and Edith Wharton's Indiana/Undine." Edith Wharton Review 18.1
(2002): 1-7.
Witherow, Jean. "A Dialectic of Deception: Edith Wharton's the
Age of Innocence." Mosaic 36.3 (2003): 165-80.
2002
[From the editor of the books]: Here are two books related
to Wharton: a collection of short stories titled "La carta", and
an anthology of her travel narratives.
La carta. Relatos de Edith Wharton, ed. Teresa Gómez
Reus, Barcelona, Clásicos del Bronce, 1999. Trad. Teresa
Gómez
Edith Wharton. Cuaderno de Viajes, ed. Teresa Gómez
Reus, Bacelona, Grijalbo-Mondadori, 2001. Trad. Ana Eiroa and Teresa
Gómez
Batcos, Stephanie. "In "the Service of Letters" :
A Study of Edith Wharton's Nonfiction and Its Relationship to Her
Fiction." Diss., 2002.
Beer, Janet. Edith Wharton. Writers and Their Work. Tavistock:
Northcote House in association with the British Council, 2002.
Bloom, Harold. Edith Wharton. Bloom's Major Novelists.
Broomall, PA: Chelsea House Publishers, 2002.
Collas, Philippe. Edith Wharton and the French Riviera. Paris
and London: Flammarion;Thames & Hudson, 2002.
Brown, Jane K. "Goethe and American Literature: The Case of
Edith Wharton." Goethe and the English-Speaking World.
Eds. Nicholas Boyle and John Guthrie. Studies in German Literature,
Linguistics, and Culture (Sgllc): Camden House, Woodbridge, England,
2002. vi, 285.
Brown, Lee Kroeger. "The Social and Economic Necessity of
Marriage in Edith Wharton's New York Novels." Diss., 2002.
Campbell, Donna. "'The (American) Muse's Tragedy': Jack London
and Edith Wharton."Jack London : One Hundred Years a Writer. Ed.Jeanne
Campbell Reesman and Sara S. Hodson.San Marino, Calif.: Huntington
Library Press, 2002.
Dean, Sharon L. Constance Fenimore Woolson and Edith Wharton
: Perspectives on Landscape and Art. Knoxville: University
of Tennessee Press, 2002.
Emmert, Scott. "Drawing-Room Naturalism in Edith Wharton's
Early Short Stories." Journal of the Short Story in English 39
(2002): 57-71.
Gillan, Jennifer. "Plotting Political Personhood: Literary
Self-Making and Contract-Breaking." Mosaic: A Journal for
the Interdisciplinary Study of Literature 35.3 (2002): 151-65.
Haytock, Jennifer. "Marriage and Modernism in Edith Wharton's Twilight
Sleep." Legacy: A Journal of American Women Writers 19.2
(2002): 216-29.
Hersey, Eleanor Longridge. "Ravishing Television: Adapting
Women's Fiction for the Small Screen." Dissertation Abstracts
International, Section A: The Humanities and Social Sciences 62.12
(2002): 4159.
Horne, Philip. "The Age of Innocence: Scorsese, Wharton and
James." Film Studies: An International Review 3 (2002):
5-17.
Johnson, Laura K. "Courting Justice : Marriage, Law, and the American
Novel, 1890-1925." Diss. 2002.
Joslin, Katherine. "'Embattled Tendencies': Wharton, Woolf
and the Nature of Modernism." Special Relationships: Anglo-American
Affinities and Antagonisms 1854-1936. Eds. Janet Beer and Bridget
Bennett: Manchester UP, Manchester, England, 2002. vi-x, 266.
Kaye, Richard A. The Flirt's Tragedy : Desire without End in
Victorian and Edwardian Fiction. Charlottesville: University
Press of Virginia, 2002.
Killoran, Helen. The Critical Reception of Edith Wharton.
Studies in American Literature and Culture. Literary Criticism in
Perspective. Rochester, NY: Camden House, 2001.(Reviewed in The
Edith Wharton Review)
Korovessis, Despina. "The House of Mirth: Edith Wharton's
Critique of American Society." Seers and Judges: American
Literature as Political Philosophy. Ed. Christine Dunn Henderson:
Lexington, Lanham, MD, 2002. xvi, 170.
Kress, Jill M. The Figure of Consciousness: William James,
Henry James, and Edith Wharton. Literary Criticism and Cultural
Theory. New York: Routledge, 2002.
Lee, Hermione. "Edith Wharton: Collected Stories, 1911-1937 Selected
and with Notes by Maureen Howard." The New York Review of Books 48.15
(2001): 5.
Levine, Jessica. Delicate Pursuit : Discretion in Henry James
and Edith Wharton. Studies in Major Literary Authors ; V. 13.
New York: Routledge, 2002.
Maine, Barry. "Reading 'the Portrait': Edith Wharton and John
Singer Sargent." Edith Wharton Review 18.1 (2002): 7-14.
Manheim, Daniel. "Wharton's The House of Mirth." Explicator 60.2
(2002): 81-83.
Miller, Joshua. "Beauty and Democratic Power." Fashion
Theory: The Journal of Dress, Body, & Culture 6.3 (2002):
277-97.
Mindrup, Emilie F. "The Mnemonic Impulse: Reading Edith Wharton's Summer as
Propaganda." Edith Wharton Review 18.1 (2002): 14-22.
Muhammad, Suzana Haji. "Voices of Disobedience in the Fiction
of Charlotte Perkins Gilman, Kate Chopin, Edith Wharton, Nella Larsen,
and Mary Austin." Dissertation Abstracts International, Section
A: The Humanities and Social Sciences 62.9 (2002): 3048.
Petrie, Windy Counsell. "Artists, Celebrities, and Reformers:
American Women Literary Autobiographers in the 1930s." Dissertation
Abstracts International, Section A: The Humanities and Social Sciences 62.9
(2002): 3048-49.
Pifer, Ellen. "'Did She Have a Precursor?': Lolita and Edith
Wharton's the Children." Nabokov's World, I: The Shape of
Nabokov's World. Eds. Jane Grayson, Arnold McMillin and Priscilla
Meyer. Studies in Russia and East Europe Number: 1: II: Reading Nabokov;
Palgrave, with School of Slavonic and East European Studies, Houndmills,
England, 2002. xvi, 237 + xvii, 41.
Quawas, Rula. "Lily Bart in the House of Mirth: A Swamp-Hatched
Butterfly." Revista Canaria de Estudios Ingleses 45 (2002):
217-31.
Rohrbach, Augusta. Truth Stranger than Fiction": Race, Realism,
and the US Literary Marketplace. New York: Palgrave, 2002. (Reviewed
in the Edith Wharton Review)
Saunders, Judith P. "Portrait of the Artist as Anthropologist:
Edith Wharton and the Age ofInnocence." Interdisciplinary
Literary Studies: A Journal of Criticism and Theory 4.1 (2002):
86-101.
Sloboda, Noel Jason. "The Making of Americans in Paris: The
Autobiographies of Edith Wharton and Gertrude Stein." Dissertation
Abstracts International, Section A: The Humanities and Social Sciences 63.5
(2002): 1829.
Thompson, Stephanie Lewis. Influencing America's Tastes: Realism
in the Works of Wharton, Cather, and Hurst. Gainesville: University
Press of Florida, 2002
Villasur, Belâen Vidal. "Classic Adaptations, Modern
Reinventions: Reading the Image in the Contemporary Literary Film." Screen 43.1
(2002): 5-18.
Werlock, Abby. "The Custom of the Country: George Sand's Indiana
and Edith Wharton'sIndiana/Undine." Edith Wharton Review 18.1
(2002): 1-7.
Wharton, Edith, and Candace Waid.. The Age of Innocence : Authoritative
Text, Contexts, Criticism. Norton critical ed. New York: W.W.
Norton & Co., 2003.
Zihala, Maryann. Edith Wharton's Old New York Society. Lanham,
Md.: University Press of America, 2002.
2001
Barrish, Phillip. American Literary Realism, Critical
Theory, and Intellectual Prestige. New York: Cambridge University
Press, 2001. Chapter 5, "What Nona Knows," focuses on
Wharton's Twilight Sleep.
Dawson, Melanie V. "'Too Young for the Part': Narrative Closure
and Feminine Evolution in Wharton's '20s Fiction." Arizona Quarterly:
A Journal of American Literature, Culture, and Theory 57.4 (2001):
89-119.
Esch, Deborah. New Essays on the House of Mirth. The American
Novel. Cambridge, UK ; New York: Cambridge University Press, 2001.
Herman, David. "Style-Shifting in Edith Wharton's the House of
Mirth." Language and Literature: Journal of the Poetics and Linguistics
Association 10.1 (2001): 61-77.
Hudak, Jennifer Klein. "The Social Inventors: Edith Wharton, Charlotte
Perkins Gilman and Women's Writing in Context." U of Rochester, 2001.
Johnson, Laura K. "Edith Wharton and the Fiction of Marital Unity." MFS
Modern Fiction Studies 47.4 (2001): 947-76.
Kozloff,
Sarah. " Complicity in The Age of Innocence." Style
(Summer 2001) (Full text available.)
Loebel, Thomas. "Beyond Her Self." New Essays on the House
of Mirth. Ed. Deborah Esch. American Novel. Cambridge, England:
Cambridge UP, 2001. 107-32.
Lynch, Jacquelyn Scott. "Darwin Matters: Modernism and Mate Choice
in Wharton, Joyce and Hurston." Arizona State U, 2001.
MacNaughton, William R. "The Artist as Moralist: Edith Wharton's
Revisions to the Last Chapter of the Custom of the Country." Papers
on Language and Literature: A Journal for Scholars and Critics of
Language and Literature 37.1 (2001): 51-64.
Marchand, Mary V. "Death to Lady Bountiful: Women and Reform in
Edith Wharton's The Fruit of the Tree." Legacy: A Journal
of American Women Writers 18.1 (2001): 65-78.
McGee, Diane E. Writing the Meal : Dinner in the Fiction of
Early Twentieth-Century Women Writers. Toronto: University
of Toronto Press, 2001.
Mainwaring, Marion. Mysteries of Paris : The Quest for Morton
Fullerton. Hanover, NH: University Press of New England, 2001.(Reviewed
in The Edith Wharton Review)
Nettels, Elsa. "Wharton and Cather." American Literary Scholarship:
An Annual (2001): 139-56.
Nowlin, Michael. "Edith Wharton and the Matter of Contexts." Studies
in the Novel 33.2 (2001): 224-28.
Nyquist, Mary. "Determining Influences: Resistance and Mentorship
in The House of Mirth and the Anglo-American Realist Tradition." New
Essays on the House of Mirth. Ed. Deborah Esch. American Novel.
Cambridge, England: Cambridge UP, 2001. 43-105.
Parisier, Nicole Heidi. "Novel Work: Theater and Journalism in
the Writing of Theodore Dreiser, Edith Warton and Willa Cather." Yale
U, 2001.
Pasquaretta, Paul. "Gambling against the House: Anglo and Indian
Perspectives on Gambling in American Literature." Mosaic: A Journal
for the Interdisciplinary Study of Literature 34.1 (2001): 137-52.
Pierpont, Claudia Roth. "April 2, 2001 - a Critic at Large - Cries
and Whispers - Edith Wharton Wrote What She Couldn't Say." The
New Yorker (2001): 10+.
Pogue, Laura Lyn Bearrie. "Devouring Words: Eating and Feeding
in Selected Fiction of Kate Chopin, Edith Wharton, and Willa Cather." Baylor
U, 2001.
Sweeney, Gerard M. "Wharton's 'the Other Two'." Explicator 59.2
(2001): 88-91.
Thornton, Edie. "Selling Edith Wharton: Illustration, Advertising,
and Pictorial Review, 1924-1925." Arizona Quarterly 57.3 (2001):
29-59.
Tillman, Lynne. "A Mole in the House of the Modern." New Essays
on the House of Mirth. Ed. Deborah Esch. American Novel. Cambridge,
England: Cambridge UP, 2001. 133-58.
Von Rosk, Nancy. "Spectacular Homes and Pastoral Theaters: Gender,
Urbanity and Domesticity in the House of Mirth." Studies in the
Novel 33.3 (2001): 322-50.
Wallace, Diana. "Ventriloquizing the Male: Two Portraits of the
Artist as a Young Man by May Sinclair and Edith Wharton." Men
and Masculinities 4.4 (2002): 322-33.
Wegener, Frederick. ""Rabid Imperialist": Edith Wharton and the
Obligations of Empire in Modern American Fiction." American Literature 72.4
(2001): 783-812.
Wharton, Edith. "Harems and Ceremonies." The Yale Review 89.3
(2001): 23.
Williams, Deborah Lindsay. Not in Sisterhood : Edith Wharton,
Willa Cather, Zona Gale, and the Politics of Female Authorship.
1st ed. New York: Palgrave, 2001.(Reviewed in The
Edith Wharton Review)
Yeazell, Ruth Bernard. "The Conspicuous Wasting of Lily Bart." New
Essays on the House of Mirth. Ed. Deborah Esch. American Novel.
Cambridge, England: Cambridge UP, 2001. 15-41.
2000
Bratton, Daniel, and Carol Williams, eds. Yrs, Ever Affly: The Correspondence
of Edith Wharton and Louis Bromfield. Michigan State University
Press, 2000.
Bryson, Tracy L. “Telling It Slant: Perspective Relocation in Novels
by Twain, Wharton, Cather and Roth.” Diss. Purdue U, 2000.
Frederick, Wegener. “'Rabid Imperialist': Edith Wharton and the Obligations
of Empire in Modern American Fiction.” American Literature 72.4
(2000): 783-812.
Gentry, Deborah. The Art of Dying : Suicide in the Works
of Kate Chopin, Edith Wharton, and Sylvia Plath. American
University Studies. Series XXIV, American Literature. Peter Lang,
2000. (October 2000)
Gold, Harriet. “Marriage in The Glimpses of the Moon.” Edith Wharton
Review 16.1 (2000): 13-17.
Goldman-Price, Irene. “The Perfect Jew and The House of Mirth: A Study
in Point of View.” Edith Wharton Review 16.1 (2000): 1; 2-9.
Gschwend, Kate. “The Significance of the Sawmill: Technological Determinism
in Ethan Frome.” Edith Wharton Review 16.1 (2000): 9-13.
Hoeller, Hildegard. Edith Wharton's Dialogue With Realism and Sentimental
Fiction. Tallahassee: University Press of Florida, 2000. (Reviewed
in The Edith Wharton Review)
Horne, Philip. “Beauty's Slow Fade.” Sight and Sound 10.10
(2000): 14-18.
Hutchinson, Stuart. “'Beyond' George Eliot? Reconsidering Edith Wharton.” Modern
Language Review 95.4 (2000): 942-53.
Kassanoff, Jennie A. "Extinction, Taxidermy, Tableaux vivants:
Staging Race and Class in The House of Mirth." PMLA 115.1
(January 2000): 60-75.
Lee, Robert A. “Watching Manners: Martin Scorsese's The Age of
Innocence, Edith Wharton's The Age of Innnocence.” The Classic
Novel: From Page to Screen. Ed. Giddings Robert Sheen Erica. Manchester,
England--New York, NY: Manchester UP--St. Martin's, 2000. 163-78.
Marie, Wood Jane. “Gauging the Internal Barometer: Social Class and
the Formation of Identity in Wharton, Catheran, d Allison.” Diss. U of
Kansas, 2000.
McCorvie, Wham Lynn. “Garland and Wharton: Tensions between Socioeconomic
Determinism and Autonomy.” Diss. New York U, 2000.
Schwarz, Ann. “One Teacher's Portrait: Reading and Teaching through
Edith Wharton's Silences.” Diss. Teachers College, 2000.
Smith, Christopher, ed. Readings on Ethan Frome (Greenhaven
Press Literary Companion to American Literature). Greenwood Press, 2000.
Swift, Jennifer. "'The Cathedral's Word to the Traveller': The
Past and Nostalgia in the Work of Edith Wharton." Diss. SUNY at
Buffalo, 2000. UMI # 9967854.
Totten, Gary. “The Art and Architecture of the Self: Designing the
'I'-Witness in Edith Wharton's The House of Mirth.” College
Literature 27.3 (2000): 71-87.
Weckerle, Lisa Jeanne. “Revisioning Narratives: Feminist Adaptation
Strategies on Stage and Screen.” Diss. U of Texas Austin, 2000.
1999
Asya, Ferda. “Resolutions of Guilt: Cultural Values Reconsidered in Custom
of the Country and The Age of Innocence.” Edith Wharton
Review 14.2 (1997): 15-20.
Cahir, Linda Costanzo. Solitude and Society in the Works of Herman
Melville and Edith Wharton. Greenwood Press, 1999.(Reviewed in The
Edith Wharton Review)
Camodeca, Gina Murial. “Indelicate Constitutions: The Discourses of
Illness and American Literature in Nathaniel Hawthorne and Edith Wharton.” Dissertation
Abstracts International, Section A: The Humanities and Social Sciences
59.9 (1999): 3453.
Caws, Mary Ann. “Translation of the Self: Ruskin and Wharton.” Massachusetts
Review 40.2 (1999): 165-73.
Colquitt, Clare, Susan Goodman, and Candace Waid, eds. A Forward
Glance : New Essays on Edith Wharton. University of Delaware
Press, 1999.
Dawson, Melanie. “Lily Bart's Fractured Alliances and Wharton's Appeal
to the Middlebrow Reader.” Reader: Essays in Reader-Oriented Theory,
Criticism, and Pedagogy 41 (1999): 1-30.
Harvey, Anne-Marie. “'Each Man Was a Perfect Cog; Each Held a Flame
Within': Manhood in London, Lewis, Wharton, and the Curtis Magazines.” Dissertation
Abstracts International, Section A: The Humanities and Social Sciences
60.5 (1999): 1558-59.
Hutchinson, Stuart. “Unpackaging Edith Wharton: Ethan Frome and Summer.” Cambridge
Quarterly 27.3 (1998): 219-32.
Killoran, Helen. “Meetings of Minds: Edith Wharton as Mentor and Guide.” American
Literary Mentors. Ed. Irene Goldman-Price and Melissa McFarland
Pennell. Gainesville: University Press of Florida, 1999. 117-30.
Kohn, Denise Marie. “Novel Re-Visions: Women Writers and the Reshaping
of American Popular and Literary Culture.” Dissertation Abstracts
International, Section A: The Humanities and Social Sciences 59.7
(1999): 2504.
Kornetta, Reiner. “Edith Wharton's 'The Angel at the Grave' and Nathaniel
Hawthorne's The House of the Seven Gables.” Edith Wharton Review 14.2
(1997): 21-24.
Louis, Margot K. “Proserpine and Pessimism: Goddesses of Death, Life,
and Language from Swinburne to Wharton.” Modern Philology 96.3
(1999): 312-46.
Mortimer, Armine Kotin. “Romantic Fever: The Second Story as Illegitimate
Daughter in Wharton's 'Roman Fever'.” Narrative 6.2 (1998): 188-98.
Olin-Ammentorp, Julie. “Female Models and Male Mentors in Wharton's
Early Fiction.”American Literary Mentors. Ed. Irene Goldman-Price
and Melissa McFarland Pennell. Gainesville: University Press of Florida,
1999. 84-95.
Preston, Claire. “Ladies Prefer Bonds: Edith Wharton, Theodore Dreiser,
and the Money Novel.” Soft Canons: American Women Writers and
Masculine Tradition. Ed. Karen Kilcup. Iowa City: University of Iowa
Press, 1999. 184-201.
Preston, Claire. Edith Wharton's Social Register. New York:
St. Martin's Press, 2000.
Price, Alan. “'Far More Than They Know': Current Wharton Studies.” Review 19
(1997): 237-51.
Ramsden, George, comp. Edith Wharton's Library: A Catalogue. With
a foreword by Hermione Lee. Settrington, Stone Trough Books, 1999.
Singley, Carol J. “Edith Wharton and Partnership: The House of
Mirth, The Decoration of Houses, and 'Copy'.” American
Literary Mentors. Ed. Irene Goldman-Price and Melissa McFarland
Pennell. Gainesville: University Press of Florida, 1999. 96-116.
Tintner, Adeline. Edith Wharton in Context : Essays on Intertextuality. Tuscaloosa:
University of Alabama Press, 1999. (Reviewed in The
Edith Wharton Review)
Wilson-Jordan, Jacqueline Suzanne. “Written on the Border: Storytelling
and the Abject Subject in Edith Wharton's Ghost Tales.” Dissertation
Abstracts International, Section A: The Humanities and Social Sciences
60.4 (1999): 1138-39.
1998 list is available in the archive
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